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A study supplement to The River of Dharma. The commentary draws on the Pāli suttas (chiefly the Nidānasaṃyutta, SN 12, and the Mahānidāna Sutta, DN 15), the Theravāda commentarial tradition as presented by Bhikkhu Bodhi, the present-moment reading of Ṭhānissaro Bhikkhu, and the Indo-Tibetan tradition from the Śālistamba Sūtra and Nāgārjuna through Gampopa and the lamrim literature. Identifications of individual vignettes follow the standard iconographic program; placement varies slightly from painting to painting.
Image: Wheel of Existence; Central Tibet; ca. early 20th century; pigments on cloth; Rubin Museum of Art. Reproduced here for study. See Eric Huntington's object essay, “A Visual Explanation of Buddhist Cosmology,” at Project Himalayan Art.